A newborn session with the wooden hammock prop and a favourite bear, and why bringing something personal from home always adds something a studio prop can't.

The To the Moon digital backdrop, how the composite works in practice, and why this one sits in its own category in the collection.

The wooden hammock prop in use for the first time, and why a settled baby is the best reason to keep going in a session

The miniature white bed prop in action, why simple styling often works best, and how safety is handled for every elevated set-up.

Theo's newborn session, a Peter Rabbit who gatecrashed a digital composite set-up, and why the best shots are often unplanned.